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Stories have power. Stories reflect and shape, both. We are creatures of story, and they're worth our reflection.

I've especially enjoyed a story told as an animated show intended for young audiences. One which corporate decided "didn't fit that brand" (*cough* queer *cough*) and cut, but which pulled out a satisfying ending nevertheless. In its first episode our main character frees people imprisoned in the "Conformatorium" for being weirdos. It's delightful from jump, is what I'm saying.

The show's final confrontation with the villain involves the heroes working alongside a young supernatural creature, an immaturely amoral former antagonist. He has just been given his first lessons in Bridging Differences with Kindness and Compassion and Treating Other People Like People Not Objects. He is SO EXCITED to use this new skill on the villain. He fails to notice his new friends' horror at the misguided attempt.

https://www.youtube.com/watch?v=FyvCaiVczSc&ab_channel=drybones592
 
It doesn't work. Because of course it doesn't work. Because it's not a universal problem solver. It doesn't defeat actual evil but enables it. And his attempt results in his first understanding of what death is.

The main character (in a life and death limbo) admits that she'd hoped the alien child would have instead "blast[ed] him away." The person she confesses this to replies they had not just wished for but committed an act of violence to protect their kid. Our young main turns to them and asks:

"Does that make us as bad as [the villain]?"

She is terrified that by using or even just wishing for violence, that she is no different than the man who destroyed her world and hurt her friends.

Thankfully she is talking to someone infinitely older and wiser, who assures her:

"You assume [the villain's] goal comes from a genuine place. But that man doesn't care about anything but his need to be the hero in his own delusion, and because of that, he fears what he can't control." 

https://www.youtube.com/watch?v=7RuDPoPu3Bk&ab_channel=Marbles

When the team finally does defeat the villain, he shrinks back to his previous form, a lost young man in need of help. He is supplicating. "Oh thank goodness you saved me from that horrible curse."

The lead is unimpressed. The lie is revealed. He reverts to his monstrous form.

"You'll be just as bad [if you don't help me]. Just as conniving. Just as evil, just as unforgivable [...] You're better than this." 

The lead steps back and her friends step forward: "Well we ain't."

And they stomp the motherfucker into paste.

https://www.youtube.com/watch?v=lmgFa4vH5gI&ab_channel=Rantic

I talk about story with my child. We've had conversations highlighting the contrast between letting Wormtongue go and the ruin it brings, and stomping a motherfucker into paste. These conversations have been largely filled with indignant laughter but will sharpen as he gets older. As the world itself becomes sharper, and this weighing of choices becomes progressively less abstract.

I'm thinking of the shock in my early 20's of seeing a character I adored watch the show's hero stride off after sparing the guy she just spent the season finale defeating, whose body hosts an evil villain and who was complicit in her crimes... This beloved character, all charm and softness to his young friends, leans down and quietly suffocates the vanquished foe. To spare future victims and to spare the protagonist the moral injury of the murder. He was already morally compromised. It was no real sacrifice for him. A gift to his beloved young charge, who could keep on being the hero.

It felt new to see on my little screen. I certainly took note.

That was twenty years ago. Now... the main crew of my child's favorite show- a Disney cartoon albeit one the mouse cast out- stomped the motherfucker into paste.

They don't have time for anyone to wrestle further with this decision on screen, with about five minutes left to wrap up the whole canceled show. Maybe it's only two data points, but they make an interesting line regardless.

The moral high ground is a lie. The only real question is, what then do we do?






 
 

jkmakes: (Default)
I want to paint

I want to grow things

I want to build things

I want to put strands together and make what didn't exist before

I want to 

I want

I

I'm so tired
jkmakes: (Default)
 It occurred to me, in the hours, days, after experiencing something I’d wanted my entire life- a total solar eclipse- that while the wealthiest can zip around the world to experience this any time an opportunity arises
 
they cannot create the circumstances of an eclipse
 
we can’t move the heavenly bodies.

Clearly I knew this. It’s only an entire metaphor. Even Jareth the Goblin King- love of my adolescence and with me in spirit ever since- moves the stars for no one.
 
But I didn’t know it.  In my bones. Somehow. I didn’t understand it on some level that I feel I do now.
 
The two and a half minutes of totality in the woods of northern New York was a deeply holy experience for me, and as I’ve watched other people discuss the event, I can’t help but wonder 

what else do we find fascinating that's beyond our control
what do we find terrifying that's beyond our control
that's almost everything

new life, ultimately
death, ultimately
the seasons





--------------------

Winter rolling back in ushers me back to vaguely contemplative writing, and whatever was pingponging around in my head for the day is set aside in place of the above, which I found in my drafts and have no memory of writing. I do remember, however, the feeling it describes.

jkmakes: (Default)
If I wait until I have the time, energy, and privacy to write what and how I want, I will never ever write. Attempting to write this morning includes breathing through the impatience in my miserly heart while my beloved family wrestles literally under my desk and over my head.

I just want to pin up the handful of associated things sliding around in my noodle that a more skilled and learned mind could glue together into coherent parallels and interesting contrasts. The ways I smash them together, like kissing Barbie dolls, in my mind while I'm in the shower seem so compelling until I want to recreate these supposed moments of brilliance out in the light with my clothes on. Maybe it's the relative privacy of the tiny shower stall's frosted glass. Maybe it's the illusion of wisdom that comes from not having to actually articulate any point while idly pondering. It could be I'm just cleverer naked. Or all three.

The cousin concepts dancing in my head like marionettes lately, I may as well just name them aloud, and then either the thoughts drift back out into the ether for another to pick up some day, or they will ferment here in this little blog post and become something new for me later. 

There's this waxing and waning concept I keep encountering. Kazimierz Dąbrowski's idea of positive disintegration in his superexcitabilities model, which changed my life when I found it eight years ago. The "dark night of the soul" by St. John of the Cross. Thomas Berry's assertion "the dark periods of history are the creative periods." I keep finding this feeling of composting, soil making, decay leading to growth. It feels relevant from the belly of a crumbling rotten empire. Not necessarily profound or revelatory to anyone else, but we all start somewhere, and this is a path of thought that calls to me, and I won't discount that.

The other friend that keeps whispering to me is a twin spirit, Grace and Humility. I've attached this voice somehow to turning 40 years old, an age that as a child I did not expect to reach. Yet here I am, and I've brought that child with me, with all their own inner children. A nesting doll of surprised instant selves. But that's an entirely different work I've been doing.

Multiple times this past few seasons I've been humbled, in loving, kind, generous ways. I've encountered patient, understanding, strong-hearted teachers and teaching, which is a new experience for me. Tiny moments for everyone but me, who was changed in the moment. It feels goofy to put some things into words when you're not a poet, but this dance of grace and humility, what these ideas mean in my heart. Reaching without certainty. Releasing the burdens of judgement and bad faith towards oneself. Finding more open-hearted ways of being with others. 

There have been so many tiny moments of revelation for me stretching through the years. They stand like bright stars in the timeline of my life. Standing in line in gym class, the younger girl with the unusual name casually mentioning she'd stopped shaving her arm pit hair; that's a thing we can do?? The other girl with glasses in my undergrad physics classes mentioning her brother who will not eat Reese's Cups or anything else with partially hydrogenated oils; we can make this choice?? The epiphany I had standing in my college dorm room doorway as a neighbor described to a small group of us the horrors of shaving her pubic hairs and yet encouraging us to do so; my brain reflected for a fraction of a second before deciding we weren't shaving anything ever again because it all seemed equally stupid. A now ex best friend who suggested I respond to someone's lies-filled foolishness with not responding; it had not occurred to me I was allowed to do that!!

Every one of these tiny moments was an eye-opening gift of pointing into other paths and ways of being, as trivial as they sound when voiced. When your world begins very very small, when it is kept artificially small by the powers in your life, then the smallest gestures towards other paths are treasures.

None of which addresses grace and humility. Because I don't know what I have to say about them yet. I am still listening and waiting, but not idly. I am working my way down the path I hear them speaking from. It just feels good to leave a trail behind me as I go.



Stillness

Mar. 10th, 2024 12:21 pm
jkmakes: (Default)
stillness

In all the great traditions, it is in stillness and quiet in which one can fall away into the infinite.

So what does that mean for my ADHD ass?
jkmakes: (Default)
Dr. Kevin Mitchell: "Living beings just are sets of constraints. They're just constraining all their bits from really becoming one with the universe. That's the end state we want to avoid."

Adam Conover: "It's just forcing all the molecules inside you to like, to a constrained set of behaviors rather than just dissipate and decompose, which is what they wanna do. [...] Every part of me just wants to turn into dirt at all times and I'm trying to just desperately hold them all inside this meatbag."

KM: "For as long as we can, we want to stave off the inevitable. That's the great comedy of life."

Factually! with Adam Conover
Free Will Absolutely Does Exist with Dr. Kevin Mitchell
https://pca.st/jca781c7
jkmakes: (Default)
I miss blogging. I miss having people to write for. I miss collecting thoughts from the day into something that passed for interesting enough. I miss making parallels and connections, writing about how I figured out how to do a thing that could help someone else do the thing too, collecting photographs that pleased me. My blogging died in...

blog years


2017ish I guess. For good reasons, it was a rough time. And then the Internet moved on and I moved on, and now maybe we're shifting back.

Why not.

Hello.

Histories

Jul. 24th, 2023 09:29 pm
jkmakes: (Default)
If I feel so out of practice reading, I wonder sometimes if I still can properly, I'm certainly out of practice writing. But I spent the day working in the hot sun with my mind turning over. I may as well put some words down and stop carrying their tumbling tornado. I suppose this serves as the disclaimer about the quality of my miniature essay that allows me to actually write it.

Yesterday I attended a discussion of The Untold Story of Shields Green: The Life and Death of a Harper's Ferry Raider by Louis A DeCaro Jr. Little is known about Green, and the book is an interesting walk through the author weighing the contexts and reliability of what sources exist. The final question put to us by the facilitators was how Green should be remembered, despite little concrete information about him. For all we can't know about him, we do know Shields Green was a man who sacrificed his own safety for others, and was murdered by the state for it.

I keep mulling over the importance of knowing that. Of knowing history, of remembering, of honoring those who came before us by learning their stories. In cultural and historical terms, I am utterly unimportant. A disabled middle aged homemaker who rarely leaves home, with no real social circle or community; what little I'd built was damaged by a stretch of absence from activism after a car crash on the way to a civil disobedience action in 2018, then obliterated by COVID's arrival and the beginning of my long hermitage. I know very few people. What I do and do not know about history makes few ripples in the world. I ran a history / social justice bookclub for a few years, until COVID (and the participants' reluctance to read non-fiction) brought that to a close. My public school teaching days are long behind me, and I was a science teacher, not one of history. Now I discuss history only with 11yo child. Which is not unimportant, but in the face of the work to be done, it feels so tiny.

But I keep learning, absorbing as much of the real story as I can. It feels important, even if it's only to hold the real stories and carry them forward a little. And unable to know what the future holds, I can't discount making it far enough to find what I know does matter. Even for just now, understanding more of the history of this country gives me a much sharper understanding of our current moment. Even though that can make this place even more terrifying, it also provides perspective: it's all the same struggle, all these years.

While making dinner this evening I listened to a conversation between professor and author Jonathan Metzl and podcaster Danielle Moodie, and I was struck by something he said in a way I would not have been had I not just read DeCaro's book. Shields Green was among the men with John Brown during the unsuccessful raid at Harper's Ferry. I learned that the main aim of the raid was not really to seize the weapons there, but those prosecuting the abolitionists played up this angle to inflame sentiment against the men, knowing that threat against slaveholding society's weapons was a trump card. I wish I could find the quote in the book now, that speaks to the intensity of concern white people held for the security of their weapons, as a salve for their fear of an uprising among the people they enslaved.

The conversation topic between Metzl and Moodie was the recent racist song and music video by a country musician I'd previously only known as the name on the song about tractors my kid loved as a toddler. The song promotes- and reflects, in the positive feedback loop that is culture- white America's obsession with guns and the conviction that some enemy is coming to take them. Metzl spoke of interviewing rural white people hundreds of miles from Ferguson MO who were carrying long guns explicitly in defense against, to strip away euphanism, an uprising of Black people.

There is so much more weight in things when you know more of the story.

The ridiculous and terrifying things being said and done by, say, the Florida governor in a competition to bring back the Confederacy as fast as possible, sink deeper into your bones when you understand not only how bad things have been here, but how bad they are now.

In the 2017ish era, many of the protests here in rural Connecticut consisted of "Love everybody!" type signs, held aloft by people with good intent. Though to me it felt like a refusal to address the heart of the matter, like a message for children.

One of mine said "PLEASE STUDY HISTORY."

I make the same plea today.



(Thank you to Mariame Kaba for putting together the book discussions of biographies of abolitionists from US history. The next will be held September 17; follow Project NIA on Eventbrite to find it when it is posted. https://www.eventbrite.com/o/project-nia-1406626943 )
jkmakes: (Default)
1) I ought to be planting onions. They’re mostly planted as it is, hundreds of tiny little greens slips with their trailing white roots. I myself haven’t planted any of them. I’ve been too tired, too sick, too busy with other work, so the job my spouse and I have done together for years on some frigid windy spring day was this year done by him alone under a hot sun where wind would’ve been welcome. I was recovering from the week-long knock down by my booster for the pandemic sensation that’s sweeping the nation… again. It feels like I’m always too tired, too sick, too busy, to get done the things I want to do and ought to do, and my mind is about fifty steps ahead of my body, enthusiastically pointing at the things that make my life- aspirationally- and my physical form is panting, lagging behind, wondering which of the various maladies in my life story are to blame this time. Making peace with the tangledness of their web is probably the work of these years, the end of my 30’s. But I got to have a 30’s, and so re-imagining my 40’s to accomodate the unexpected turns of my life’s story, the world’s story, shouldn’t leave me too bitter. I’ll plant the onions. Or I won’t, and there will be fewer to go rogue in their cardboard boxes on the basement shelf next April. What on earth things will be like by next April, I can’t think about too hard. Either way, I’ll have planted the onions, or I won’t have, and it probably won’t make or break my story.

2) I smell like old eggs. It got cold too fast last fall, and there were unexpected turns in the family doings, and so we have too many chickens right now. (If you’ve ever butchered chickens outside on a cold December Satursday, this perhaps makes more sense to you.) With one third of the family mildly allergic to eggs but with lots of growing to do yet so we don’t fuck with allergens, one third not officially allergic but gosh eggs need to be eaten with caution or else there’s hell to pay, and the remaining third a single human soul who can only eat so many damn eggs… We have also too many eggs. With no one to share them with because we live in an isolating age, and I can’t instant message eggs to my friends, sometimes I have to deal with old eggs. And now I stink like old eggs, mixed with the vanilla skin lotion I tried to disguise the smell with, topped off with the grapefruit notes of my child’s pump soap I used desperately trying to get the egg-vanilla smell off me. I smell like a bakery in hell. But at least I know my nose works.

3) It’s hard to write an essay with a cat’s ass in your face. I used to shoo the fluffy orange hindquarters off to the side but since the arrival of the kitten, my orange tabby has been pretty scarce. So when she decides to demand snackies two hours early, with an ass in my face, well I remember what it’s like to be the oldest, and I let it slide. But I don’t give her the snacks either… except on days when I remember she won’t eat them if the kitten’s around, and since the small menace is nowhere to be seen, I carefully unscrew the lid and I give the cat her crumbly brown tablets of joy.

4) The hundred Ought To’s are calling so loudly it’s hard to hear my own thoughts. The self indulgent journaling that’s passing for essay writing feels like the lowest of priorities in a 2022. But it’s always going to be a 2022, and worse, and I might as well YOLO my afternoon. Whether essays or onions, neither will make it to my epitaph, and it’s cooler in the house.

5) I don’t have any tattoos, but if given the opportunity some day, I want the little artwork by my child from the year after the car crash that didn’t kill us. One more thing that didn’t kill us. To celebrate the not having been killed, I threw the only party I’ve ever in my life thrown. I was nervous as hell, I overplanned and overcooked, it was all mapped out great- and so of course it poured down rain to humble me and I had to somehow put all those people in my house and I probably panicked my way through the entire thing- people I know from totally different aspects of my life all in one place together, what was I thinking- but my point is, we decorated for the day with small watercolor paintings strung on cheap plastic ribbon, banners which hung until only a couple months ago. I assume I was the first of my child and I to doodle the design of the skull with simple lines for limbs, holding the balloon that announces “YOLO” to a world that discarded the phrase as passe before I probably ever even uttered it, but I love it unironically and use it without shame. I like his rendition better than mine. I remember too his perfectionist frustration with the piece, a drawing in thick pen which I loved instantly. (There’s an essay in that.) It has ever since hung in a frame by my bedroom door, the physical center of my house now that I think about it. Only three years, really? Since that party. I didn’t have to decide whether to throw one on the second anniversary of that day in which I particularly did not die, since by then we were huddled in our corners, figuring out work and school and life in a world suddenly much more determined to kill us. Every day now feels like a memento mori party, for those of us who are still here, for now. Going forward though, the date is also my niece’s birthday. What can compete with turning six? You don’t do that every day, after all, and so far, I’ve not died every day of my life. Why make the fuss about that one. But I do want that tattoo. YOLO.

Hello!

Apr. 25th, 2022 09:14 am
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Looking for new places to hang my hat. I learned about this platform literally three minutes ago, so here we go.

Having some serious LiveJournal flashbacks. That's cool.

Anyways, we'll see, eh?

-JK

my public Instagram: j.k.paints

(if we are buddies, DM me for my private Insta)

Tumblr: tryingagainhere

Mastadon: JKMakes

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